A mudslide caused by heavy rain and forest clearance almost sweeps away the cabin at the foot of the wooded slope. But this is not the only upheaval in Nikitas’s life. Shortly after the landslide, a man on an off-road motorbike es racing through the forest and stops in front of Nikitas’s cottage. For the first time in twenty years, Nikitas’s son Johnny stands before him, demanding the inheritance that was left to him in his mother’s will, namely, fifty percent of the land on which the reclusive Nikitas is now living. At first, Nikitas ignores his son. But there is also a pany that is after the land; called simply “the monster” by the villagers, the firm wants to build a road here. To prevent the muddy ground from being pulled from under their feet, father and son have to dig deep into it. Together.Director Georgis Grigorakis sets his rain-drenched woodland Western against a majestic backdrop and finds robust yet tender images to tell this tale of rapprochement between two men. A story of resistance more powerful than the strongest excavator.

　　　　影片中对布兰顿身份的设定，也能够说是一向的风行，对中产阶层的嘲讽，衣食无忧的中产阶层，饱热思淫欲，所以才有了如斯荒诞乖张的性虐心理，布兰顿的家庭悲剧，也是对中产阶层敲响的警钟。

《离婚前规则》剧评：哪个没有有一本难念的经？在《离婚前规则》中，三对新人在对婚姻没有完全准备好时结了婚，婚后面对各方压力，分歧越来越大，最终又都在结婚不满一年时选择离婚

就拿丹尼履行的4个猎杀步履来讲，既要致人于死地，又要构成不测灭亡的排场，出格是还要让被猎杀的人临死之前认可本身的罪行，而且要拍成影象交给复敌人承认，这自己就很有创意。

作为一部记载片，《海洋》的出发点很是低，大都人对它的上映浑然不知，院线排片也不给力。...